Largely unconvincing story of unemployed New York teenager (Harris Dickinson), one of a gang with another three similar youths, hanging around the beach and funfair looking for girls and smoking weed, getting by through pick-pocketing, and the occasional 'kindness' of strangers - only this particular young guy is leading a double life, at night hooking up on his p.c. with older men (not elderly) on gay websites for online 'chatting' and occasional meet-ups for quick sex. He hangs onto a girl who'd picked him up, thinking him sexy (which I couldn't see at all, though we'll let that pass - 'Beauty in the eye of.....' etc) and he indulges in a hot-cold relationship with her, while leading this private double life, even taking her home to stay overnight in full view of his quietly 'understanding' and protective mother (Kate Hodge) who doesn't approve of his male friends, and his stroppy little sister who's also engaged in a physical relationship.
After maintaining this deception to his mates for much of the film, he opens up to them and tells them what he's been doing. Instead of asserting their 'macho' credentials by seeing who could outdo the others in homophobic put-downs, as I'd have expected to happen, their reaction is unbelievably relaxed about it, displaying little more than mild amusement - never mind that up till then he'd been like the rest of them, wanting "women, women, women!" He explains his conduct by saying that this is how he manages to obtain a reliable source of weed, and he'll do what it takes to get it, which they accept.
I can't deny that the film captures well the double-life that a lot of us have gone through to maintain a veneer of 'respectability' with our peers and equals by talking about relationships with girls either completely fictitious or, if the girls existed at all, inwardly praying that they weren't tracked down and interrogated so as to reveal the lie we had spun of a 'relationship'. I know it well, I've been there - growing up at a time when all gay acts were criminal, even in private, when as little as a misjudged touch on a knee could result in the loss of one's job, or much, much worse. But as far as this gang of four are concerned their only constraint is, as far as I could tell, their own opinions of each other - and, of course, there was no need for Dickinson's character to lie about the real person he's seeing.
Throughout the film I was expecting a sudden burst of violence to break out, and to that extent it did keep me tensed up.
This is director Eliza Hittman's only second feature film. She's still young and I'm assuming that this is one of the misfires that she'll encounter on her way to establishing her reputation as someone to be reckoned with - though it won't be with this...............4.
4 hours ago