So here we are - and I must say that it wasn't easy to
pick just ten out of the mere seventy-eight I've seen. (Long gone are
those times, never to return, when I'd see twice as many, and upwards,
within one year). But competition for excellence just within these
relatively few has been fierce, and I do rather hang my head to think of
some of the worthies I've omitted from the final cut. (What! No
'Force Majeure', 'Far from the Madding Crowd', ''Irrational Man',
'Grandma', 'Mia Madre', 'Suffragette', 'Bridge of Spies' - nor even
'Brooklyn'? No. Sorry about that!)
My adopted method was initially to
choose thirty from this year's tally, next to select half of them, and
then to jiggle and juggle a chosen final ten into an ordered list. In
this way I've come up with the selection in sequence with which I feel
most comfortable, ignoring, as far as I could, any sentiment that
certain films ought to be included because they might have been expected
to be there. It's my very own personal selection of the film
experiences which have given me the most pleasure.
Oh,
and before someone notices and complains that the order of the chosen
few are not in the order of ratings I gave them at the time (nearly
always decided immediately on returning home after seeing them), I have
to state that there's the additional factor of the time taken for a
filmic experience to 'mellow' in the mind. Thus, certain entries have
gained in value in my mind's opinion over time (e.g. 'Lobster',
'Whiplash') whilst others have faded, if maybe only by a little (e.g.
'Sunset Song', 'The Lady in the Van').
So, this is it, in ascending order:-
10) The Lady in the Van - Dame Maggie Smith with the words of Sir Alan Bennett, both at the top of their game:-
http://raybeard.blogspot.co.uk/2015/11/film-lady-in-van.html
9) Carol
- Cate Blanchett, in a singularly brave-for-its-time, Patricia
Highsmith story, showing us once more why she is one of the very best of
all actresses around:-
http://raybeard.blogspot.co.uk/2015/12/film-carol.html
8) The Lobster - modest, yet remarkably effective, quirky film with a near-unrecognisable Colin Farrell in untypically restrained mode:-
http://raybeard.blogspot.co.uk/2015/10/film-lobster.html
7) American Sniper Taut, believable, Iraq-war, Clint Eastwood-directed thriller with pumped-up Bradley Cooper ably holding the focus:-
http://raybeard.blogspot.co.uk/2015/02/film-american-sniper.html
6) Whiplash
One of those films that rattles around the brain for a long time
afterwards. Scary J.K. Simmons is the big bully, tyrannical tutor of a
jazz 'big band' class. Timid Miles Teller is on drums:-
http://raybeard.blogspot.co.uk/2015/01/film-whiplash.html
5) Still Alice
Julianne
Moore in her deservedly Oscar-winning, heart-wrenching role as a
50-year old woman suffering from the onset of Alzheimers. A profoundly
moving: film:-
http://raybeard.blogspot.co.uk/2015/03/film-still-alice.html
4) Sunset Song
Director
Terence Davies works his magic again, this time in rural north Scotland
in a small-scale, family tale of romance, dreams and squabbles. Quite
extraordinary.
http://raybeard.blogspot.co.uk/2015/12/film-sunset-song.html
3) Relatos Salvajes (Wild Tales)
The
Argentinians pull a rabbit out of the hat with this utterly marvellous,
often outlandish, (subtitled) anthology of six short stories -
unrelated apart from a very tenuous common thread. Part of its wonder
for me was its total surprise, coming out of nowhere with no warning:-
http://raybeard.blogspot.co.uk/2015/04/film-relatos-salvajes-wild-tales.html
2) 45 Years
There
was no doubt that this had to be included, and in an exalted position
too. Tom Courtnay and Charlotte Rampling (the latter never been better)
attempting to celebrate their long-term wedding anniversary when a ghost
from his past emerges and sows seeds of doubt in her mind. Intensely
human drama which brought me as close to tears as I've been in a long
time in the cinema, which itself is real rarity.:-
http://raybeard.blogspot.co.uk/2015/09/film-45-years.html
And the winner is:-
1) Ex Machina
I
was astonished at how good this was, even against my own expectations,
being science fiction - not one of my favourite film genres (with one or
two glorious exceptions) - though this is, gratefully, an earth-bound
tale. It was one of those films where I felt like pinching myself to
confirm that I wasn't dreaming that I could find something so
enjoyable. What makes it even more extraordinary is that it's the
directorial debut of novelist Alex Garland, this film also being his own
story. And, not least worth mentioning is the presence of (phwoarrrrr!)
bushy-bearded and muscled-up Oscar Isaac as computer scientist with
delusionally ambitious aims:-
http://raybeard.blogspot.co.uk/2015/02/film-ex-machina.html
I
think this will be the most controversial of my Top 10 inclusions, and
furthermore, to have it nominated as my ultimate 'Film of the Year' may
well be too much for some. Well, if so, I can live with it. The film did
get, as far as I could make out, very good reviews all round on its
release, only I would go so far as to rate it a step or two beyond being just 'very good'.
And
as per convention, I'm going to end with my choice of 'Turkey of the
Year'. No, not the recent Star Wars, though it was a close-run thing.
No, this year's mouldy raspberry award goes to:-
Tomorrowland - which
not only George Clooney's starring role could rescue. See it if you
dare! Or perhaps if you're wanting something to send you to sleep:-
http://raybeard.blogspot.co.uk/2015/05/film-tomorrowland.html
Now it's nearly time to dive into 2016 - and there are some pretty interesting items already on the list, such as...........
3 hours ago