What on earth is wrong with me? Why is so much lavish praise being heaped on this? One recent reviewer on IMDb has described this as the best film he has ever seen! The highest commendation I can come up with is that it could well be in my Top 1,000 films - which itself is hardly 'poor' status, indicating that I rate it higher than at least 80% of my viewings.
Set in Northern Italy, 1983, Armie Hammer plays an American research assistant on a visit to a professor (Michael Stuhlbarg) in Greco-Roman history, who lives with his translator wife (Amira Casar) and 17-year old son, Elio (Timothee Chalamet) in a large country house surrounded by orchards and vineyards. The young one has a hot-cold relationship with his girlfriend (Esther Garel).
After Hammer arrives there's a very slow-burn awareness of mutual attraction between him and the son, something the older man is the more reluctant to acknowledge at first. In fact the very first contact between them which is more than just a casual fleeting one, doesn't arrive until halfway through the film.
I think the general tenor of film was purporting to conjure up a feeling of langour, reflecting the geographical location in Summer season. I think of Bertolucci and Antonioni in particular, as well as Pasolini, who succeeded in capturing that lazy, sun-drenched ambience so unique to Italy. If that was what director Luca Guadagnino was aiming at I'm not sure he got quite there, though it's true that he has caught well the underlying restlessness of the younger male's burgeoning sexuality. If his aim had been to put that latter aspect centre-stage, then I have to admit that he achieved it.
I didn't find the story all that interesting. Maybe I felt a bit unsettled at seeing the attraction played out between a 17-year old, appearing every bit as young as his character, and a man looking at least twice the younger one's age (though Hammer is actually only 31!). Perhaps it's my own ultra-conventional upbringing which needs to be revised in the head.
Screenplay (based on novel by one Andre Aciman) is by none other than the revered James Ivory himself - and who, it's been mooted, wanted to direct, or at least to part-direct, the film itself. If he had done so I would have expected him to have injected it with a touch of the magic which, I sadly feel, it lacks.
I can't imagine this film enjoying a long-life in my memory bank. In fact, now the morning after, it's already beginning to fade a bit.
Yesterday I'd settled on giving it a rating of '6', but now realising what a rarely-heard story we see on film which it is, I'll nod to that aspect and push it up a semi-notch...............6.5.
54 minutes ago