Like many gay men, I'm a BIG aficiando of musical theatre as well as being a long-term cinephile. Yet somehow these two media almost never seem to satisfactorily mix, and I wonder if they ever can. When compared with the immediacy and dynamism of a live theatrical show, there's something unsatisfactory about preserving an art-form on film where the essential complicity between performers and audience in one is totally absent from the other. There's an almost electric 'charge' in a well-delivered live musical which is unique to that medium which cannot be emulated or transferred via the artificiality of the screen. But as that is the only way we know how to keep a permanent record of it, one has to admit that it's probably better than not attempting it at all. Incidentally, it does irritate me when people claim to have 'seen' a musical when what they mean is that they've seen just the one film version of it, a form for which, of course, the vast majority of musicals were not originally written - and they've never attended a live theatrical production of it. Even scores that were originally written for film, such as 'Singin' in the Rain', 'Gigi', and 'Mary Poppins' can have an even more memorable longevity when later re-interpreted for the stage, so no one can ever look on filmed musicals as being the definitive version. They can always be improved upon.
Just one of the many reservations I have about filmed musicals is that they invariably omit a number of the songs ('Sound of Music', 'Oliver!, 'Cabaret' etc etc) - and, moreover, often mercilessly 'prune' even the ones that are there. To name but a mere two of the scores of examples of the latter - the witty 'Zip' from 'Pal Joey', 'I'm Gonna Wash...' from 'South Pacific' and so many more. (Needless to say I've seen all the musicals I've just named on the stage too.)
But having laid out my stall I'm now going to cite those three films (just from off the top of my head) that I think were the biggest travesties of their original music stage-show heritage - and not only are they all from the same period of late 1960s/early 1970s, but the latter two both have the same director! (Coincidence?) :-
Fiddler on the Roof
Jesus Christ Superstar.
There, I've said it. I'd be very interested to know of other 'nominations' to this category of worst filmed musical as a film.
But any idiot can criticise. So, to be fair, I ought to mention those which I think were quite successful in their own terms and can bear repeated watching. So, without having done any profound or lengthy thinking, three that come to mind are:
The King and I
The Rocky Horror (Picture) Show.
I could write a long blog on the pluses and minuses of the individual entries on both lists, as well as on many more films - and may well do in future - but it would be nice to get get other peoples' thoughts on the subject. After all, there is so much written on both films and musicals, but I've yet to read anyone voicing opinions on the success or failure in attempting to combine the two.
3 hours ago