When I first heard about this film being made my reaction was simply "Why?"
Taking the characters from one of Britain's most successful and popular TV situation comedies (9 series starting in 1968 - nearly all the original actors now being deceased; the two surviving ones having short cameo roles here), a clutch of currently moderately well-known names, some of whose faces will be familiar even if their names are not, with general physical approximations to the original actors are allotted their parts. Less an exercise in attempting authentic imitation they do their best to give a vague idea of the original players - some quite successfully, it must be said - with the original characters' individual catch-phrases inserted, though with variable effect.
This film and the TV series was set in 1944, telling of the Home Guard, the body of British men (and some women) who were not conscripted into the fighting forces due to age, disability or other reasons, and who were on ever-ready guard to defend the country in the event of a Nazi invasion. (I recall in the 60s when the idea of the series was first being mooted there was significant concern that it would be an irreverent and mocking take on the brave souls who had actually given up their time ready to defend the country - to the death, if need be. But it was accepted by viewers more in affection than ridicule).
I was uncertain of the wisdom of making this film though, of course, the motivation is to make money. At the time of the original series there was another feature film made which was moderately well-received but I found it rather flat - and, as in the case of nearly all full-length films made from a TV series, it hopelessly outstretched itself beyond any of the TV programmes' original attraction - the latter being, in effect, a series of extended vignettes, each half-hour independent of the other.. The experience always seems to be that bigger budgets emphatically do not mean funnier. In fact it's almost always the case that 'more equals less'. And so I found it with this film - a so-so product to which the large audience with which I attended reacted with polite chuckles of moderate amusement now and again (and in which I joined) but there was nothing approaching the hilarity which sometimes showed itself in the original TV programmes. (Incidentally, I don't think the BBC has ever stopped repeating the originals - and always on one of their two main channels too, and in peak-viewing time. It seems to be on some kind of permanent 'loop'.)
Now the names. The most internationally well known will be Tom Courtenay, with Bill Nighy also probably being well-recognised. Then, as the south coast's platoon's (actually filmed in Yorkshire) bumbling, self-important captain is Toby Jones. Other reasonably well-known names are Michael Gambon and Bill Patterson.
There is one major difference to the original series on which it's based. At that time, women, if they were present at all, were effectively sidelined as very minor players, many of the shows having no female appearances whatsoever. Not so here. To its credit it has one woman, Catherine Zeta-Jones, at centre-stage, as an undercover German spy, her true nature being revealed very early on in the film.
Then, also important is the Captain's wife, here (played by Felicity Montagu) a true Amazon of a figure whereas in the TV series Mrs Mainwaring, as she was, was regularly mentioned but never seen. There's also the redoubtable Alison Steadman and some other female names I recognised, all to the film's advantage, opening out the situations to beneficial effect.
But even that can't disguise the fact that it's not a very good film - though certainly not exactly 'bad' either - which doesn't serve the original series that well. The script, lacking the inventiveness of its original writers (one of them yet survives) is clunky, especially when well-known phrases are crowbarred in - "They don't like it up 'em", "We're doomed!", "Stupid boy!" etc - and only underlines how far this film comes short of the original TV series.
Btw: This is a current British film without Ben Whishaw. Wasn't he available? A rarity indeed!
However, it's an honest effort. Director is Oliver Parker who, in recent years, has directed three of Oscar Wilde's works on film. As might be guessed, this one is too long by a good way, despite my liking for the conspicuous female presences, particularly that of Ms Z-J. But overall I must give a score that reflects it being a so-so accomplishment......................5.
5 hours ago