An enigmatic film which is sure to exasperate those who dislike loose ends. This is a compendium of three disparate stories - or, rather, slices of stories, since they are joined without their backgrounds having been established and all are left hanging in the air. I don't have much problem with this kind of film though I was close to asking "What was the point?"
Based on stories by a Maile Meloy (no, me neither) they are a trio of tales all set in Montana shown successively, with connections so tenuous they might as well have been non-existent, each story being around half an hour long. Then at the film's end there's a further scene from each, which barely takes any of them further at all.
First, a lawyer (Laura Dern) is acting for an irascible employee (Jared Harris) who is seeking compensation and whose dissatisfaction with developments causes him to take extreme action. (It sounds more interesting than it was.)
The second story involves Michelle Williams (with husband James Le Gros) trying to buy a pile of sandstone from an elderly man living alone in an isolated bungalow.
Finally, and potentially the most interesting of the three, a single woman (Lily Gladstone) who owns stables for four horses accidentally drops into an adult evening class in politics where she becomes more interested in the reluctant tutor (Kristen Stewart) than in the actual subject.
Director, Kelly Reichardt, who also wrote the screenplay, makes no real attempt to weave the stories together, which is fair enough, though it makes those very slim connections seem imposed from outside to show some kind of token cohesion. It wasn't really necessary.
Watching the film was a fair enough experience, I suppose. I think what kept me from being bored was the expectation in each of the tales that something very significant was about to happen - which didn't. Not an obligatory watch, though neither would I class it as being 'bad'...........6.
3 hours ago