Based on "the book that shocked the world" (by Paula Hawkins) trumpets the trailer. Is that so? I'd never heard of it.
I'd seen this trailer so many times over the last few weeks that it had just about killed off any curiosity I had about seeing the film. But rather half-heartedly, I went.
The plot is basically a 'whodunit?' - or, more precisely, what happened to her and was anyone else involved? But there is an unusual added dimension to this story viz. the narrator is a self-aware, struggling alcoholic, and Emily Blunt captures the character utterly magnificently. Rarely have I seen on screen so realistically displayed all the nuances of someone with a drink problem - every shade from slightly tipsy, to merry (with an underlying menace), through to being sozzled and violent with it. We also see her fully sober yet dying to have that drink, resisting even when she's offered one, as well as her first visit to an A.A. session. It was a remarkable performance which I really do think is worthy of an Oscar nomination.
Divorcee (and childless) Blunt travels daily from Washington to New York on a train which takes her past her former house where her ex-husband (Justin Theroux) still lives with his new wife (Rebecca Ferguson) and their baby daughter. Quite close to this house is another which she gets fascinated by because she can see a couple there through the windows or on their balcony (Luke Evans and Haley Bennett) who seem to be very much in love. It seems they represent the ideal relationship which the Blunt character wishes she could have had. All the while on the train she is sipping from what looks like a transparent water bottle, but which she has had filled with vodka. During her journeys her mind wanders to the past and therein, I think, is the weakness of the film. There are far too many flashbacks, not necessarily in chronological order, leaving me confused several times as to what was happening - and in addition, was this real or is it part of her alcohol-befuddled fantasies? The problem is further exacerbated by having the two women already mentioned having very similar long, blonde, wavy hair. Because I didn't know the two actresses involved I did now and again get confused as to which was which. But as I already do have a particular problem in recognising and remembering faces in real life, others may not have the same difficulty.
There is a third man involved, a counselling psychiatrist (Edgar Ramirez).
The Blunt character, having built up a picture of an ideal relationship for this couple which she notices daily, one day witnesses something that jars on her vision of presumed marital bliss. And, no doubt fuelled by alcohol, she can't keep her mouth shut, even though it's nothing to do with her. Then someone goes missing. The police are called in and, due to the drink, she has difficulty in recalling her own movements on the day of the woman's disappearance.
We do finally get to see what happened, and since the number of suspects is very limited - only the three men plus two women, one of whom is Blunt herself. (Was she herself involved during one of her regular blanked-out periods?) When the solution of the mystery is revealed it's hardly a shocker, though it is gruesome.
I don't know if the book contained as many flashbacks as are in the film, but I think the latter was weakened by having so many as to approach being exasperating, particularly as I found some of them quite confusing.
Director Tate Taylor ('The Help', 'Winter's Bone') builds up tension well at a number of points. It's one of those films with cumulative suspense and it is achieved pretty well.
The major part of the honours for the film really must go to Emily Blunt though, in a role which marks her out as a really remarkable actress with great potential. I think she lifted this film, without which it would have been a significantly less successful product...............6.5.
19 minutes ago