42 minutes ago
Monday, 6 February 2012
Question - "Is Madge infallible?"
On the IMDb site (where anyone can rate and write a review of any film) as at today, 38% of 1106 people have given Madonna's first film as director, 'W.E.', a perfect 10/10 as a score, while 28% have given it the minimum rating of 1/10.
One would think that the in-between possible scores would be gradually graded, with increasing percentages approaching each end. But no - only one of the intermediate percentages is over 5% of total votes, and that only very slightly. So, opinions seem to be largely polarised.
I may be doing some an injustice but I'm assuming that a significant proportion of those who gave this film a max score (presumably because for them it's absolutely perfect in every possible way) opine that the lady just cannot do anything wrong and is beyond criticism. Dare I even ask if some were already prepared to give the film the maximum rating of "films-just cannot-get-any-better-than-this!" even before they'd seen it?
Having now viewed 'W.E.' myself, I find it hardly credible that anyone can think this film completely faultless - but, to be honest, I have never given any film a '10' - and those I've seen to which I've given even a just less-than-perfect score of '9' can be numbered on the fingers of one hand.
However, I cannot make a corresponding assumption that those who have scored it a measly 1/10 have such an aversion to La Ciccone that they think of her as simply unable to put a foot right, otherwise they would not have forked out good money to see this film in the first place. I therefore posit that those who scored it at minimum would tend to be more open-minded and had been prepared to give the film the benefit of the doubt. Is my logic at fault?
If you want to know what my own score was (you already know it wasn't a '10') you'll have to wait for the second instalment of my new monthly film review blog which will next appear shortly after the end of the month .
Oh, and btw, I used to be a totally keen Madonna fan, from the beginning ('Holiday' and 'Like A Virgin') up to and including the 1998 'Ray of Light' album. Since then, must admit that my enthusiasm, though still there to some degree, is not as fevered as it once was - and anyway, I'm gradually losing touch and sympathy with pop music anyway as I advance in years.
But am I eagerly awaiting the next Madonna-directed film? Ah, that would be telling!